The Photo C weekly assignments are a little bit different than Photo B. Below you will find a list of 20 different prompts, by the end of the trimester you will need to execute 10 of them (5 per half tri).
1. Transportation
Modes of transportation have been one of the major contributors to the modernization of our cultures. Without transportation we couldn't move goods, the Americas or anywhere else would have never been colonized (for better or for worse), and Amazon prime wouldn't exist! You are challenged to either the beauty or the ugliness of a form of transportation.
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2. Bokeh
Bokeh (pronounced b0-ka) is a Japanese term that translates to blur in English. Bokeh is used by photographers to describe the quality of the unfocused or blurry parts of a photograph. Every photograph has a depth of field – the area of a photograph that is in focus. you can use this to your advantage to create surreal backgrounds with a little bit of intentional lighting. (image 1-3)
Who knows who figured this out but you can actually create custom bokeh shapes by cutting out a small stencil for the light to go through. (image 3-4)
In this weekly option feel free to experiment with either or both.
HOW TO CUSTOM BOKEH
Who knows who figured this out but you can actually create custom bokeh shapes by cutting out a small stencil for the light to go through. (image 3-4)
In this weekly option feel free to experiment with either or both.
HOW TO CUSTOM BOKEH
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3. Understanding Key Light, Fill Light, Hair Light & Background Light
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This weekly assignment will help you better understand how to work with arranging the different lights and why. This one takes a little longer but is totally worth it.
You will submit 5 pictures total. 4 of them will single out each individual light and the 5th will be using all 4 lights at the same time. LINK TO FULL ARTICLE |
KEY LIGHT
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HAIR LIGHT
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FILL LIGHT
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BACKGROUND LIGHT
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4. Back to the Future
BACK TO THE FUTURE from Jamie Jessett on Vimeo.
In this weekly assignment you will be inspired by Irina Wernings work by looking through the old shoebosx of photos and do you best to do a nostalgic recreation. Remember you are the photographer not the subject. Remember paying close attention to the original lighting, clothing, angles, props, and environment selection will all be key elements to your success.
check out Irina's work at http://irinawerning.com/back-to-the-fut/back-to-the-future/
check out Irina's work at http://irinawerning.com/back-to-the-fut/back-to-the-future/
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5. Puddle Reflections
Wether can sometimes be a drag but why not take advantage of a wet environment by capturing interesting reflection of lights, buildings, people, etc.. Remember that a lot of photography is learning how to see the world around us in different ways.
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6. Only one color
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7. Shake It Don't Break It
This one is all about lighting, shutter speed and good timing. Choose a subject and do a portrait session of them shaking their face violently. Feel free to choose a human or a furry friend. Check out photographer Brandon Vough's flicker page for fun examples
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8. Abstract Black & White Shadows
There are amazing things all around us that we never stop to notice. This week is all about learning to look at the world around you and the possibilities hidden within. Go outside during sunrise or sunset for your best chance at long shadows .
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9. Lets Get Weird
This portrait assignment challenge is to think out side of the box and get a little weird. Props, make up, paint, food, etc. its all fair game as long as you don't break or ruin anything and you clean up after yourselves.
10. Street Lights
Seems like, street lights, glowin
Happen to be just like moments, passin
In front of me so I hopped in, the cab and
I paid my fare see I know my destination
But I'm just not there - Kanye West
Just because the street lights come on doesn't mean we have to go inside. In this weekly assignment I want to challenge you to use compose a image with only using the street lights as your luminary source. You might be pleasantly surprised by the shadows and colors you can find at night.
Check out New Orleans Photographer Frank Relle's website for some really interesting examples
OR
Andres Levers has some pretty beautiful examples of foggy nights over at his website as well for some additional insperation.
Happen to be just like moments, passin
In front of me so I hopped in, the cab and
I paid my fare see I know my destination
But I'm just not there - Kanye West
Just because the street lights come on doesn't mean we have to go inside. In this weekly assignment I want to challenge you to use compose a image with only using the street lights as your luminary source. You might be pleasantly surprised by the shadows and colors you can find at night.
Check out New Orleans Photographer Frank Relle's website for some really interesting examples
OR
Andres Levers has some pretty beautiful examples of foggy nights over at his website as well for some additional insperation.
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11. A Roll of Film
For this assignment, you’re only allowed to take 36 photos in a day (same amount of photos in a roll of film).
This exercise will help you learn restraint. It will balance out some of the other assignments which encourage you to take more.
This exercise will help you learn restraint. It will balance out some of the other assignments which encourage you to take more.
12. Standing Around
In street photography, we’re impatient. Rather than sticking in one good area and waiting for our subjects to come to us, we run around (often wasting our energy) to just find a few good photos.
The solution: find an interesting street corner, don’t move, and photograph it for an hour.
Purpose:
The purpose of this assignment is to realize that it can be more effective to find a good scene, background, or area, and wait for your subjects to come to you.
Not only that, but if you stay put in one area, you will get to know the area better. You will observe the flow of subjects, and get a feel of a place better. Not only that, but you will be more “invisible” in the scene — people will ignore you.
The solution: find an interesting street corner, don’t move, and photograph it for an hour.
Purpose:
The purpose of this assignment is to realize that it can be more effective to find a good scene, background, or area, and wait for your subjects to come to you.
Not only that, but if you stay put in one area, you will get to know the area better. You will observe the flow of subjects, and get a feel of a place better. Not only that, but you will be more “invisible” in the scene — people will ignore you.
13. Low Key Photography
Objective: Learn how to expose for effect. Also learn how to use available light to create low key photos.
What is due? 5 photos using low key lighting.
Low key refers to a style of photography that utilizes predominantly dark tones to create a dramatic looking image. Low key lighting intensifies the contrast in an image through intensely reduced lighting. I am challenging you to achieve a low key look without studio lights. One way to do this is to use two separate spaces. One space needs to be darker than the other space. For example, you can turn the lights off in a room and use the window as the light source. Try to keep the light from hitting the background, and purposefully underexpose the photograph.
What is due? 5 photos using low key lighting.
Low key refers to a style of photography that utilizes predominantly dark tones to create a dramatic looking image. Low key lighting intensifies the contrast in an image through intensely reduced lighting. I am challenging you to achieve a low key look without studio lights. One way to do this is to use two separate spaces. One space needs to be darker than the other space. For example, you can turn the lights off in a room and use the window as the light source. Try to keep the light from hitting the background, and purposefully underexpose the photograph.
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14. Shutter Drag
Objective: Learn how to control the on-camera flash for special effect.
What is due? 5 photos that show experimentation with rear curtain sync and shutter drag.
Shutter sync is when the flash fires during a photo. If the flash fires as soon as the shutter opens, it is called front shutter sync. If the flash fires right before the shutter closes, it is called rear shutter sync. To decide between the two, ask yourself if you want the motion to be behind the movement or in front of the movement.
To learn more about rear curtain sync, you can read this article here or read this one here (better examples) ORRRR this one . You can see some good examples on this website to help get your creative juices flowing. This article and video is by a photographer who uses this technique, too. Not only can you move the camera while taking the photo with a slower shutter speed, you can also zoom in or out to create some cool movement.
What is due? 5 photos that show experimentation with rear curtain sync and shutter drag.
Shutter sync is when the flash fires during a photo. If the flash fires as soon as the shutter opens, it is called front shutter sync. If the flash fires right before the shutter closes, it is called rear shutter sync. To decide between the two, ask yourself if you want the motion to be behind the movement or in front of the movement.
To learn more about rear curtain sync, you can read this article here or read this one here (better examples) ORRRR this one . You can see some good examples on this website to help get your creative juices flowing. This article and video is by a photographer who uses this technique, too. Not only can you move the camera while taking the photo with a slower shutter speed, you can also zoom in or out to create some cool movement.
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